The Hudson Spider Redback emits an embracing specular soft wrap from a parabola of 3,456 super bright bi-color LEDs. The Redback head folds up to 7.5" x 13", weighs only 7lbs, is built with the very best materials and is ready to take a beating. This unit is designed to be nimble and to travel very well, setup time is negligible.
The Nova P300c is capable of outputting over 9,000 lux, at a distance of 1 meter, while maintaining a wide 120° beam angle. It has been called the Skypanel S45 because of the similarities of the unit. By combining this intense output with the wide beam angle of a soft light source and 0-100% stepless dimming control, the P300c can easily fill large areas, allowing you to control the ambient lighting of your entire scene instantly.
8 RGB tube kit. Titan is the ultimate LED tube for filmmakers, TV studios and any creative person. It emits powerful, tunable white with ultra-high color rendering as well as colored light which can be applied to individual pixels or the whole tube.
The Nova P300c is capable of outputting over 9,000 lux, at a distance of 1 meter, while maintaining a wide 120° beam angle. It has been called the Skypanel S45 because of the similarities of the unit. By combining this intense output with the wide beam angle of a soft light source and 0-100% stepless dimming control, the P300c can easily fill large areas, allowing you to control the ambient lighting of your entire scene instantly.
8 RGB tube kit. Titan is the ultimate LED tube for filmmakers, TV studios and any creative person. It emits powerful, tunable white with ultra-high color rendering as well as colored light which can be applied to individual pixels or the whole tube.
Services
DLG did a quick compare of the Joker2 800 (left) against the Aputure 600d Pro (right.) At 100%, the 600d delivers a bit more light. The Joker's lens is fairly even, with some slight spikes, the Aputure parabolic reflector spikes a bit in the center. Both have a similar projection. Side-by-side, this HMI lamp shows slight green tint and the LED some magenta, in our quick test.
Reviews (9)
John Leestma
Jan 13, 2022
Report
Chris Dobson
Oct 19, 2021
Report
Griffin Nash
Sep 30, 2021
Report
Lucas Willis
Aug 01, 2021
Report
Mark Baird
Jun 05, 2021
Report
I recently did a project in Dallas with John and the great crew that he assembled for me and the results have been excellent. John is an experienced pro and was responsive, flexible and had quick effective solutions for anything I threw at him as we went through the pre-pro phase. My client and I are very pleased and look forward to working with Dallas Lighting and Grip again!
Tony Weeg
May 20, 2021
Report
Alex Gracie
Feb 01, 2020
Report
I'm an LA based gaffer who travels for work a few times a year and I typically am unimpressed with pricing, gear, and service compared to LA standards in most markets. Let me say, DLG beat prices of their competitors, the gear was immaculate and stored well on backstage carts, and dropped off/picked up by industry professionals that knew were both knowledgeable and friendly. From top to bottom a superb experience. We even had to schedule a late night pickup on the weekend and they did! Can't say enough good things about DLG from staff to gear.
Kyle Sanders
Nov 14, 2019
Report
Tom Sliwakowski
Sep 02, 2019
Report
